I want to like Adam Grant.
In a shorter medium (blogs and articles in places like HBR),
he has written some smart things, and he has worked professionally with people
I like.
His books seem to miss the mark though. His first, Give and
Take, had some interesting ideas in it. It is just that Grant seems to have
this thought where he should be publishing on a big idea. Therefore, in that first
book, he created a trichotomy where people fit in one of three categories
professionally – you were either a giver, a taker, or a matcher. The key was to
be the matcher. However, there was a weird caveat that it was not all matchers.
I liked the book well enough that I remember that taxonomy that he drew, but it
felt like a letdown because it relied too heavily on a few examples.
It is as if he does take that big idea he wants to talk about,
finds the examples, and then uses them as a highlight. Maybe it is a narrative
thing he’s doing (he does call himself a social scientist in this book more
than once), trying to use examples to tell a better story because data is not
as fun to read on the train, I don’t know. But he makes the same choices in
Originals as he did in Give and Take.
Therefore, that lead me, as I was reading, to try to think
of this book and how I would describe it. In one sense, it does feel like it is
pointed towards some self-satisfied liberal elite establishment pseudo-intellectual
thing. I mean, look at the blurbs. Sheryl Sandberg helped edit it as per the
acknowledgements, and she wrote the forward. It is blurbed by Malcolm Gladwell,
Richard Branson, Ariana Huffington, and Peter Thiel, to show you what the intended
audience is. For what it’s worth, it feels like an extended TED talk. For me, that
is not a charitable comparison, but it may appeal to some people.
All this is not to say that there is not valuable information
and insights embedded in the book. There is a part about Martin Luther King
prepping his famous “I have a Dream Speech”. There is an extended section on
the birth of the women’s suffrage that brought to my attention an important figure
in American history I was very unaware of. The problem is that these sections
were used to illustrate the broader points that Grant was speaking on and it
may not have been the best fit (the lessons were “procrastination can be useful”
and then “build coalitions”). It is as if Grant is just pulling in the things
that are interesting to him and trying to apply them to the larger idea that
being original is good.
This of course is true. But for me the most troubling thing
was that originality as looked at in the book was focused mostly on business
success, with a side of politics. The only originality that Grant wrote of in
the arts was in comedy – nothing about Duchamp or John Cage, but we learn how
birth order may influence how often a baseball player steals a base. My guess
is that art is just too far outside of Grant’s domain for him to write cogently
on it, but it is a huge blind spot in a book about the importance of
originality (No “Make it new” or worrying about the anxiety of influence). Nevertheless,
perhaps that is just showing my domain preferences.